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Shaolin Culture, World Heritage 少林文化,人类遗产

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Venerable Guan Xiu

Monk Guan Xiu

The Arhats (chin.: luóhàn 羅漢) are the enlightened beings of Buddhism (chin.: Fójiào 佛教), who were disciples of Buddha Sakyamuni (chin.: Shìjiāmóuní 釋迦牟尼) and attained freedom from the cycles of suffering and rebirth. Arhat is translated into Chinese as Luohan. Luohans are those who become enlightened (chin.: zhèngguǒ 證果) by means of the Four Noble Truths (chin.: Sìshèngdì 四聖諦) of suffering, suffering’s origin, suffering’s extinction, and the path leading to suffering extinction. Their enlightenment is not ultimate, because they only enlighten themselves, and do not yet know how to enlighten other beings like the Bodhisattvas (chin.: púsà 菩薩) do.

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Posted by Venerable Shi Yan Kong

Qigong

Qigong

Vital internal energy (chin.: qìgōng 气功) is a Chinese cultivation practice which, according to specific written documents, goes back at least 3000 years ago. During the legendary Chinese ruler’s Tang Yao (chin.: Táng yáo 唐堯 2353 - 2234 BC) monarchy; qigong art used as a form of dancing. The actual origins of Qi Gong, however, are lost in Chinese prehistory. Qi Gong was practiced during the earliest period in order to maintain good health.

In Master Lu’s Spring and Autumn (chin.: lǚshìchūnqiū 呂氏春秋) records which was completed in 239BC we read: In the beginning of the Tao Tang Tribes, the sun was often shut off by heavy clouds and it rained all the time; turbulent waters overflowed the rivers’ banks. People lived a gloomy and dull life and suffered from rigidity of their joints. As a remedy dancing was recommended. From the experience of their long-term struggle with…

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Posted by Venerable Master Shi Yan Kong

The Shaolin Monastic order

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In recent years there has been a lot of public interest in the Chan Buddhist teachings (chin.: chanfa 禪法) and in the Shaolin Martial Arts (chin.: shaolin wugong少林武功). This interest has fuelled an ongoing debate in Western Buddhist circles about the most skilful ways to integrate these originally Asian teachings into the very different cultures of Europe and America. In Buddhist countries, the religion has always been structured around a solid core of monasticism.

Many have questioned the relevance of this Shaolin (少林) institutionalized form of practice. These critics claim that the Shaolin Buddhist monastic order (chin.: Shaolin seng jie 少林僧戒) preserves a patriarchal hierarchy incompatible with the values of democracy and gender equality. Underlying these objections may be a more basic perception of the incompatibility of an ancient institution with a modern civilization. Western culture is based on the idea of progress and innovation, whereas Chan Buddhist monasticism…

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Posted by Venerable Master Shi Yan Zhuo

Shaolin Qinna

Shaolin Qinna

Qinna (擒拿) is the famous “seize hold and control” Martial Art of the Chinese Culture. Shaolin Qinna (少林擒拿) is the rare “hold and protect” Martial Art of the Shaolin Culture.

Qinna is the Chinese martial art of seizing and controlling an attacker. It is the root of the Japanese arts of jujitsu (chin.: róushù 柔术) and Aikido (chin.: héqìdào 合気道). Generally, Qinna techniques attack pressure points (chin.: yālìdian 压力点) and lock joints (chin.: suojīnjié 锁筋节) to render an attacker helpless.

Although Qinna techniques are believed to have existed for several thousand years, it was not until 527 C.E. that these techniques were systematically researched and categorized by the Shaolin Temple’s Masters, leading to the creation of many non-lethal techniques, based on Buddhist Non Violence Teaching (chin.: fófēibàolìzhuyì 佛非暴力主义).

Buddhism (chin.: Fójiào 佛教)is built around a general Dharma toward compassion and extreme non-violence.  The Shaolin sect of Buddhism differed…

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Posted by Venerable Master Shi Yan Long

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